Myanmar

Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice…

The success of long-format cult-exposé documentaries like HBO’s “The Vow” and Netflix’s “Wild Wild Country” has given the cult-curious an appetite for the kind of chain-link explosion rhythms that only serials can supply. We’re primed, one might even say programmed, to expect the smallest new kink on even the oddest…

Organizers of the 33rd edition of the Singapore International Film Festival are naturally keen to prove that the event is as nearly as possible back to normal after two years of COVID turbulence. Thong Kay Wee, in his first full year as program director, has also been keen to put…

The annual film event in Laos that was for the past 12 years known as the Luang Prabang Film Festival has given up its name in order to go ahead with next month’s edition. “Organizers have recently acquiesced to a name change in order to continue to produce this year’s…

PURIN PICTURES CASH Purin Pictures, a non-profit Asian film financier, is to give grants to two Burmese, two Cambodian, two Thai, and one Indonesian project in its latest funding round. “We are excited to support multiple projects from Myanmar and Cambodia, two countries that have less developed film industries than…

Netflix has come on board for the second year to support the Short Film Camp, a film industry training program for professionals from Thailand, Cambodia, Laos and Myanmar. The SFC is led by Purin Pictures, a film funding body backed by the Purin Foundation. The event, running for ten days…

Rithy Panh, director of “Rice People” and “S21 The Khmer Rouge Killing Machine” is an icon of art-house cinema, at once political, unique, and charming. The iconic image may be another of his confections – a palatable work built on uncomfortable facts. On the incomplete evidence of a 50-minute on-stage…