Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice…
Myanmar

The success of long-format cult-exposé documentaries like HBO’s “The Vow” and Netflix’s “Wild Wild Country” has given the cult-curious an appetite for the kind of chain-link explosion rhythms that only serials can supply. We’re primed, one might even say programmed, to expect the smallest new kink on even the oddest…

PURIN PICTURES CASH Purin Pictures, a non-profit Asian film financier, is to give grants to two Burmese, two Cambodian, two Thai, and one Indonesian project in its latest funding round. “We are excited to support multiple projects from Myanmar and Cambodia, two countries that have less developed film industries than…

Rithy Panh, director of “Rice People” and “S21 The Khmer Rouge Killing Machine” is an icon of art-house cinema, at once political, unique, and charming. The iconic image may be another of his confections – a palatable work built on uncomfortable facts. On the incomplete evidence of a 50-minute on-stage…