“During the break before, I invited him to take a sniff [of my neck] to see if my perfume is holding up,” Behar said, adding fuel to the fire.
Living

With conflict currently erupting in Sudan, one could be forgiven for approaching Mohamed Kordofani’s “Goodbye Julia,” which takes place in Khartoum during the six years prior to the 2011 secession of South Sudan, as a worthy, topical history lesson. And it certainly does have merit as a primer for the…

SPOILER ALERT: This interview contains spoilers from the series finale of “Barry,” now streaming on Max. Sunday night on HBO featured the end of two major series after four seasons apiece: “Succession” and “Barry.” The shows launched just a few months apart in 2018, and now they’ve ended their runs…

Jonathan Glazer’s “The Zone of Interest” has scored a Fipresci award in Cannes. The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,”…

“Will someone kindly tell me what on Earth has happened?” Well, quite. That’s the that line Michael Ball’s George sings when surveying the absurdity before him, including the body of his passed-out partner Rose (Laura Pitt-Pulford) who has just been shot by his jealous nephew Alec (Jamie Bogyo). Judging by…

Egyptian director Omar El Zohairy, whose absurdist social satire “Feathers” won the Cannes Critics’ Week prize in 2021 and went on to make a major splash, is set to helm “Mammals,” an English-language drama that will be a reflection on Western capitalism and family ties. El Zohairy’s sophomore film, which…