Emerald Fennell

The addition of “bad” to the title of Andrew Lloyd Webber’s latest maximalist spectacle, formerly known simply as “Cinderella” when it premiered for a short-lived run on the West End in 2021, would seem like a cleverly self-conscious move. Was it preemptive self-defense against Broadway reviews like this one, that…

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“Cinderella” is coming to Broadway after all — and, like the main character, she’s getting an extreme makeover.