It’s five years since Theresa May, then the United Kingdom’s first prime minister of the Brexit era, coined the term “citizen of nowhere” to denigrate residents of the country who identified themselves more globally. Those three words swiftly became a media catchphrase to encapsulate the Conservative government’s apparent hostility toward…
Echoes

The Unhappy Holiday Movie has become almost a genre unto itself, this year’s new additions running a now-familiar gamut from the sour seasonal rebound rom-com to wreathed-in-gore Yuletide horrors (including this weekend’s “Violent Night” and “Christmas Bloody Christmas”). No matter how dyspeptic in spirit, all tend to hang onto a…

Carlos Saura’s “Walls Can Talk,” Alex de la Iglesia’s “Four’s a Crowd” and Alex Murrull and Dani de la Orden’s “The Final Game” head as market premieres the most major addition to this year’s Cannes-backed Ventana Sur, Spanish Screenings on Tour, Spanish cinema’s biggest international industry platform ever. Since 2009,…

Creating what looks like one of the undisputed highlights of Ventana Sur’s Spanish Screenings, three of Perú’s foremost filmmakers – Daniel and Diego Vega and Joanna Lombardi –have boarded “Bienvenido Mr. Hollywood,” which promises a complete departure for one of Catalonia’s leading edge cineastes, Mar Coll. Co-created and directed by…

“And in the Darkness, Hearts Aglow,” the fifth album from Natalie Mering, aka Weyes Blood, announces early on that a reckoning has arrived. Throughout 2019’s searing folk-pop triumph “Titanic Rising,” she gestured at future turmoil: “A lot’s gonna change in your lifetime,” she sings during the opening moments of that…