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DISTRIBUTION Anthony LaPaglia‘s upcoming factual series “The Black Hand” is set to be distributed internationally by eOne. The three-part series will explore Australia’s Italian community, looking at the difficulties they face, their politics, the threat of war and the mafia. According to the series synopsis, The Black Hand is the…

“Bikini Blue” director Jarek Marszewski will direct the 1920s-set euthanasia drama “Iron Ribbon,” for which Los Angeles-based Egyptian actor Mohamed Karim is attached and Tom Hughes (“The English”) is in advanced talks. The English-language romantic thriller, which is being produced by London-based Daniella Gonella and Jay Michaelson’s DG Productions, is…

Alice Rohrwacher is in the Cannes competition for the third time with “La Chimera,” in which “The Crown” star Josh O’Connor plays a young British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s. For Rohrwacher, the film is connected to growing up in…

In a highly anticipated animation event at this year’s Cannes Festival, Emmy-winning Spanish director Rodrigo Blaas attends on Sunday the screening of his short film “Sith,” part of Disney+’s “Star Wars: Visions” Season 2 anthology. The first big-screen exhibition of “Sith” — released worldwide May 4 on Disney+ — followed…

German distributor Dolphin Medien has partnered with U.K. horror production house Red Shadow Studios on horror films based on public domain children’s properties Winnie the Pooh and Peter Pan, it was revealed at the ongoing Cannes film market. “Winnie the Pooh: Death House,” described by the makers as “The Strangers”…

In the experimental montage that opens “Persona,” a bare-chested teenage boy caresses a screen upon which the faces of two women slowly morph back and forth. It’s easy to imagine Todd Haynes being tempted to start his deep-as-you-want-to-go rabbit-hole drama “May December” the same way, seeing as how this endlessly…

Taking a cue from the movie’s soon-to-be-infamous spanking scene between Robert De Niro and Leonardo DiCaprio, someone ought to paddle whoever let Martin Scorsese take three and a half hours to retell “Killers of the Flower Moon.” You could read David Grann’s page-turner — about an audacious 1920s conspiracy to…